12.01.2014

BURN THIS / December 2014









  1. Paolo Nutini "Let Me Down Easy"
  2. Madi Diaz "The Other Side"
  3. Andrew McMahon In The Wilderness "High Dive"
  4. Tristan Prettyman "Who We Are"
  5. Allen Stone "Million"
  6. The Staves "Blood I Bled"
  7. Ben Ottewell "Red Dress"
  8. Vance Joy "Georgia"
  9. James Bay "Hold Back The River"
  10. Monica Heldal "Boy From The North"
  11. Joshua Hyslop "Living & Dying"
  12. Beta Radio "East Of Tennessee"
  13. Lowell Thompson "Rose Petals"
  14. The Barr Brothers "Even The Darkness Has Arms"
  15. Sarah Jaffe "Leaving The Planet"
  16. Guster "Endlessly"
  17. Ben Howard "Conrad"
  18. Damien Rice "The Greatest Bastard"
  19. Rocco DeLuca "Colors Of The Cold"
  20. Nathaniel Rateliff "Closer"

11.26.2014

#reviewoftheweek / Tommy Guerrero - No Mans Land

Tommy Guerrero is a skater! But he's been making funky and jazzy music for years and years on the side, and is one of the most talented musicians around. This album is a slight departure, but not too far, from his previous releases which feature a more light hearted and breezy sound. You could call what he does as west coast jazz, mostly because you can sit back and close your eyes and imagine yourself surfing or skating or just chilling out in California. The album opens is a bit of a spooky way, drawing a strange comparison to ambient indie rock. The album doesn't feature and vocals, but it doesn't need them, as is proven by the album's best track "The Lone Pisolero" and the second to last track "The Viper." Guerrero also outdoes himself, proving his genius and mastery by playing almost every single instrument you hear on the album. People who are multitalented always amaze, but Tommy Guerrero does it in such a cool way, jealousy is never an option.

11.19.2014

#reviewoftheweek / Damien Rice - My Favourite Faded Fantasy

It's been a great while since folkie Damien Rice released new music, and what has been cultivating over that time is magnificent. Now, what helped him break out onto the scene is not what this album is about. This album showcases how he has grown and developed his sound over the years, while maintaining his core as a folk singer. Aided by the production of Rick Rubin (Angus & Julia Stone, Avett Brothers, Ed Sheeran), the singer/songwriter has been able to elevate the sound of his music and heighten the message of his lyrics. The title track and the first single "I Don't Want To Change You" are driven by the lyrics, while still being taken to the next level from a musical standpoint. One of the other major highlights of the album is "The Greatest Bastard." Damien Rice is an old soul, and this album refreshed everyone's memory that he is an important piece and part of the foundation of the current folk music world.

11.12.2014

#reviewoftheweek / Monica Heldal - Boy From The North

Hailing from Norway, you might expect an artist like Monica Heldal to be in the same vein as some other European folkies like Sondre Lerche and Teitur or even Kings Of Convenience, but you'd be wrong. Heldal harnesses the blues and mixes them firmly with her style of pop and rock. The combination makes for a very unique sound coming from that area of the world. In fact, the most close interpretation of this music came recently from Of Monsters And Men. Heldal embraces her rootsy elements and invokes a style that is equal parts 70's hippie folk and 90's British indie rock mixed with the good old blues. The title track is by far the standout and the song that will get Heldal's music into the ears of the masses, but it's tracks like "Conman Coming" and "Follow You Anywhere" that showcase her true talents as a musician and a songwriter. From start to finish the album is intriguing and interesting. It's a great listen for music fans looking to hear something fresh and new that's not the same old import coming across the pond.

11.05.2014

#reviewoftheweek / Meiko - Dear You

Meiko is pure pop. This new album embraces that to its fullest extent, branching out and away from her folky roots. Diving deeper into the pop realm, her newest album embraces heavier production and electronic elements, while still remaining true to her beginnings as a singer/songwriter. Think of the album as a new medium for the same message, an artist graduating from pencils and sketches to paints and canvas and larger, more impactful displays. At the core the album is a group of simply thought out songs, which unfold and develop into grand displays of musicianship. Highlights include the title track, the lead track "Bad Things," and "Be Mine." One of her finest moments on the album is the song that connects her sounds of the past to her sound of the present, "If He Doesn't Love You." This is the song on the album that reminds you of her roots, yet still manages to harness her current musical self. The album hovers somewhere between pop and indie rock, and will have old and new fans equally impressed and satisfied.

11.01.2014

BURN THIS / November 2014









  1. Chadwick Stokes "Our Lives Our Time"
  2. Brad Corrigan "Anything New"
  3. Tristan Prettyman "Perfect Storm"
  4. Trevor Hall "Green Mountain State"
  5. Roo Panes "Tiger Striped Sky"
  6. James Bay "Let It Go"
  7. Ben Howard "I Forget Where We Were"
  8. Damien Rice "I Don't Want To Change You"
  9. Angus & Julia Stone "Get Home"
  10. Charlie Mars "Hell Yeah"
  11. Lera Lynn "Standing On The Moon"
  12. Drew Holcomb & The Neighbors "American Beauty"
  13. Gregory Alan Isakov "Amsterdam"
  14. The Head And The Heart "Let's Be Still"
  15. The Lone Bellow "Then The Morning Comes"
  16. The Belle Brigade "Back Where You Began"
  17. The Avett Brothers "Bring Me Your Love"
  18. Trey Anastasio Band "Bounce"
  19. Rebelution "Invasion"
  20. SOJA (featuring Alfred The MC) "Promises & Pills"

10.29.2014

#reviewoftheweek / Hozier - Hozier

Hozier is another new singer/songwriter hailing from across the pond, from Ireland. You want to not like his music because, seemingly, before hearing it, you get a sense that this is just another one of the same types of things we've been hearing for years. Sure, he'll draw comparisons to artists like Gotye, Passenger, David Gray, and even Ben Howard, all of whom have recently came out with new music. But, what is striking about Hozier, and his self titled album, is that he's a bit more of a layered artist than a one-note, one-hit kind of musician. His entire album features countless instrumental arrangements, far from the signature acoustic guitar and voice that you might expect. The production is not overly done, which leaves the music more organic in nature. The debut single "Take Me To Church" is a great song and a good introduction to the music, but it's not what the artist or album are about. Take a song like "From Eden" and you've got what you'd expect, but take a song like "Jackie And Wilson" and you forget that this Irishman is even from across the pond, mixing soul and blues into his music like he's straight from the Mississippi delta. It's a hearty album, and clocking in at 13 tracks, it's one of the years longer releases, but it's necessary to get all facets of Hozier into one collection. He's not a one-trick-pony and is sure to be around for a while, showcasing his left of center take on the traditional international import.

10.22.2014

#reviewoftheweek / The Barr Brothers - Sleeping Operator

Leaving their jam band roots in the rearview mirror is easier said than done. While artsy and improvisational are virtually non-existent on their latest album, they've embraced the rootsy aspect of their previous musical life and delivered one of the year's subtly great albums. Bluesy roots rock seems to suit the Barr Brothers, who's previous band, the Slip, was rooted in improvisational jazz. "Half Crazy," the lead single from the album, bridges the gap from jam scene to indie rock with ease, showcasing the organic nature of their musical style, while exhibiting a sound that could be straight out of Nashville. "Even The Darkness Has Arms" is a cool introduction to the Barr Brothers' indie sound, but it's the second track on the album, "Love Ain't Enough" which separates their present from their past. It's great that the song is the first on the album to feature vocals (it's track 2) because it sets the stage for an entire album of mystery and excitement, capped off by a feeling of pleasure and joy upon completion. The Barr Brothers' music has transformed by leaps and bounds from their first album, and have proven that songwriting and musical skill go hand in hand when creating an album that combines both artistry and familiarity.

10.15.2014

#reviewoftheweek / Lucius - Wildewoman

It's hard to be a band that can do multiple genres, but to be able to make a cohesive album with multiple genres throughout is impressive. Lucius, fronted by a pair of female vocalists, has taken the indie rock genre and turned it on his head, exhibiting their ability to switch from folk to rock to pop from song to song, back to back. "Don't Just Sit There" may be the album's cornerstone, which is eual parts indie and pop, and potentially their most accessible. But, it's songs like "Go Home" and "Turn It Around" which are polar opposites of each other, sitting right next to each other on the tracklist. "Go Home" is Dylanesque, showing off their lyrical subtleties and the band's ability to almost completely strip down and unplug. "Turn It Around" is pure hard hitting indie rock and is the song you'd most likely hear on alternative rock radio. Judging by touring partners Bahamas and Chadwick Stokes, and the fact that he ladies sung backup vocals on Jeff Tweedy's (Wilco) solo album, it's no wonder that Lucius is sitting on the brink of superstardom, without even trying.

10.08.2014

#reviewoftheweek / The Beautiful Girls - Dancehall Days

It's quite possible that the Beautiful Girls were never going to make another album. Well, that's no longer true, and this one picks up right where their last one left off. The cool thing about this album is it visits another era in the roots reggae history of the band's influences. If their groundbreaking and critically acclaimed album "Ziggurats" showed off their eighties reggae and heavy Police/Clash influences then this album brings the band's influences firmly into the late 80s and early 90s. There's a lot of synth and piano driven beats mixed with incredible lyricism throughout the entire album. Their love and influence of dancehall reggae is evident, not only by the album name and title track, but by several other songs as well. Aside from the excellence of the title track, the other standout on the album is "Until My Kingdom Comes," which leads off about a minute of piano and keyboard driven instrumental, leading into smooth vocals combined with funky horns. The Beautiful Girls have been breaking the mold since their debut release, and keep reinventing themselves and their sound, keeping fans on the edge of their seats wanting more. This album is both a welcome addition to their catalogue and cool reinvention of their signature sound.