After officially calling it quits in 2004 with a free show in Boston to 110,000 of their truest fans, Dispatch has returned for a reunion like no other. Announcing that they'd be reuniting and heading out on tour was just the beginning and fans began salivating for what was to come next. With all members of the band having incredible success in their solo ventures, it was a long shot that the trio would collaborate on new material, but this self titled EP is proof positive that nothing is impossible. Only six tracks long, the EP packs a major punch showcasing an entire array of new songs that sound like they could each have been plucked from one of the bands previous studio releases. Each member gets his turn as lead vocalist on the album. Chad Stokes shows off his chops on "Con Man," the most heavily reggae infused song in the set, "Melon Bend," the album's lead single and hardest rocker, and "Broken American," which showcases a bit of the bands political and activist side. Braddigan sings on "Beto" one of the highlights that draws major comparison to the "Who Are We Living For?" era. "Valentine" and "Turn This Ship Around" are Pete Francis' vocal contributions and at their core show off the songwriter style that Dispatch was known for in their earlier days. The production quality of the EP is outstanding and reminds us that indie bands can do it just as good as the big names. Although, now that Dispatch is a worldwide independent rock phenomenon, I would say that they are just as big as many of the bands that get major radio airplay. The bottom line is nothing is forever, and while it seemed like Dispatch was going to be a thing of the past about 7 years ago, it seems that is not the case. While we would all love the boys to continue to tour and make music together, this EP reminds us that whenever we need them they are there for us. Dispatch is quite possibly the best indie rock band ever, and no matter what, they will always be at the top of their game.
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, Bahamas' debut album is a simple display of what it means to make outstanding stripped down music. Guitar, drums, and vocals are all it takes to make great music. In fact, you don't even need to have songs that are any longer than 3 minutes. Most of the tracks on this album clock in at less that 3 minutes, with one of the best coming in under 2. That song is "Sunshine Blues" and the title itself sums up the entire feel of the album. It's quietly upbeat and subdued throughout, yet you still get a sense of the complexity that goes into creating simplicity. "Already Yours" is by far the album's cornerstone track, with it's accessible lyrics and radio friendly vibe. The album closes with an obscure cover song, "Whole Wide World," which is also where the name Bahamas came from. You can try to draw comparisons to all kinds of indie and acoustic folk artists from all corners of the globe, but the bottom line is there is no other like Bahamas, and this is just a taste of what is immensely possible in with such a simple musical idea.
Sam Roberts Band has come full circle in their career with the release of their latest album. This album is the band's best since their major label debut "We Were Born In A Flame" and contains the band's best song since "Brother Down." That song is "The Last Crusade" and it leads off an album that, from front to back, is a study in sonic artistry and lyrical mastery. Enlisting the assistance of an established saxaphone player (Antibalas' Stuart Bogie) and percussionist (Califone's Ben Massarrella), Sam and company deliver songs that are as rockin' as ever. The addition of the additional musicians brings sounds into the mix that are unfamiliar to SRB fans, but elevates their already unique sound and adds an incredible element of funkiness. Quite possibly their most funk filled song ever, "Let It In" just plain makes you want to dance. "I Feel You" is the song on the album that bridges their entire career, showcasing their rock core, and the aside from the lead track, "Streets Of Heaven (Promises, Promises)" is possibly the best on the album from a lyrical standpoint. They did things differently while making this album, and the end result is an elevated version of a familiar sound. Sam Roberts Band has returned their music to a youthful yet mature form, and it shows just why these Canadians continue to blow fans away.